Music Alliance Pact – Ianuarie 2012

coughy

ROMANIA: Babylon Noise
CoughyPrecambrian
Coughy are an experimental duo residing in Bucharest, featuring former and current band members of The Amsterdams. Therefore it is regarded as a creative playground where everything is accepted as a form of expression without the self-censorship required when playing in a regular and quite popular indie-rock band.

ARGENTINA: Zonaindie
Nubes En Mi CasaAceleremos
Nubes En Mi Casa is an indie-pop band led by singer Josefina Mac Loughlin. Aceleremos is a preview from their upcoming second studio album, Me Suelto y Vuelvo. The song sounds like an instant hit and we’re sure it will become one of our favorite tracks of 2012, so we can’t wait to hear the rest of it.

AUSTRALIA: Who The Bloody Hell Are They?
SuresThe Sun
The Sun is a short burst of sunshine from Sydney duo Sures. It sounds like a Beach Boys outtake, which might sound boring given the number of bands out there paying homage to Wilson and Co. Fortunately, The Sun is just two minutes of harmonising over a dull melody – it’s a catchy tune that will have those of us in the southern hemisphere pressing repeat throughout summer.

AUSTRIA: Walzerkönig
DiverIllusions
Quiet is the new loud. Diver, a folky trio from various places in Austria and Germany and now based in Vienna, play beautifully melancholic songs with three acoustic guitars and lyrics that go “everyday reality is an illusion of possibilities”. Illusions is the opener of their first full-length album Kites, which will be out later this month. In the meantime you can listen to their self-titled debut EP on Bandcamp.

BRAZIL: Meio Desligado
Bixiga 70Balboa Da Silva
Bixiga 70 is what happens when you combine African beats, jazz and Brazilian swing in a city as hectic as São Paulo, where they’re from. Their first CD was released last year and is available to download at the band’s website.

CANADA: I(Heart)Music
HonheehonheeWe Only Go
There’s more than a hint of early Arcade Fire to We Only Go but, as someone who misses early Arcade Fire, I don’t see why that’s a strike against Honheehonhee. Besides, this song (not to mention the rest of their debut, Shouts) is exuberant, unhinged fun, and the world can always use more music like that.

CHILE: Super 45
Los EmbajadoresPeso
From all the tips made in the Chilean music scene for this year, Los Embajadores is one of the most interesting. Romantic goth-pop songs reminiscent of Cocteau Twins as well as the darkest hours of Miguel Bosé. Faisanes is the name of their soon-to-come new album, and Peso (“Weight”) is its first single.

CHINA: Wooozy
ElenorePsycho Man
Beijing-based Elenore formed in late 2009 and have developed a sound influenced by bands such as Oasis, Kasabian and Black Rebel Motorcycle Club. The single Psycho Man fuses 60s swing drum loops, fuzzy guitar riffs and a Middle Eastern instrumental chorus which became a hit on China’s popular site Douban. In February, Elenore will release their first EP both on CD and the band’s own digital distribution site.

DENMARK: All Scandinavian
Nelson CanApple Pie
Danish girl-trio Nelson Can release their eponymous debut EP this month as part of a triple EP release with The Freudian Slip and Echo Me. Punk aesthetics spoon with pop flair and hipster cool on their first single Apple Pie, which reaffirms that apples are indeed a good thing. Like the girls on Facebook and check out the video for Apple Pie on YouTube.

ENGLAND: The Guardian Music Blog
MoneyWho’s Going To Love You Now
A four-piece based in Manchester, Money are part of that city’s tradition of earnest young men, “the weight on their shoulder”, as Ian Curtis once sang. They quote Austrian poet Rilke, while their Facebook features a “eulogy for the death of everything”. A recent Guardian New Band of the Day article contended that they “have a similar air of mystery and cerebral intensity to Wu Lyf, with a vocalist who can do enigmatically gruff as well as fervid and angelic”, positing them as the Mancunian Manic Street Preachers, with a shared sense of the sacred and intense.

ESTONIA: Popop
Zebra IslandFalling Through
Mysterious Zebra Island rocketed into blogs and social networks at the very end of 2011 and everyone in Estonia seems to love them, although no-one knows much about the band. Zebra Island is led by Rasmus Lill from Kosmofon (featured in the March 2011 edition of MAP) and beautiful vocals are provided by Helina Risti. Falling Through, their first and only song so far, is a lovely, pulsating electro-pop masterpiece that keeps you wanting for much more Zebra Island.

FINLAND: Glue
GreymouthThe Boy
Singer and songwriter Elisa Husu founded Greymouth in the summer of 2011 to recreate her folky songs with a full band. The Boy is the first taster of this project and highlights Elisa’s beautiful voice on top of epic acoustic sounds with a marked Fleet Foxes influence.

FRANCE: Yet You’re Fired
Concrete KnivesBrand New Start
A perfect title for the first song of the year, Brand New Start is a highly enjoyable pop song, so good it’s featured in a commercial, and so fresh with its choir and upbeat sound, I would name it song of the year. Very good proof that the French indie scene is better than ever.

GERMANY: Blogpartei
ApparatAsh/Black Veil
This month we’ve got one of the most discussed German artists of last year. Apparat’s 2011 album The Devil’s Walk took the concept of Sascha Ring, the man behind the moniker, further. The soundscapes created feels like a cairn, carefully layered and poised, yet built to last; but Ring has decided to use his falsetto, which has caused controversy with reviewers. Decide for yourself if this concept works well on Ash/Black Veil. I think it does!

GREECE: Mouxlaloulouda
Hristos LainasH Thlipsi To Brady
Hristos Lainas’ first solo album, I Agapi Tha Lampsi (“Love Will Shine”) is stuffed to the brim with alluring pop melodies, drenched in skittering 12-bit samplers, filtered vocals, warm and luscious analog synths and infused with a pleasant aura of drowsiness. Lainas assembles an array of sounds and textures, adds sporadic splashes of static atmosphere and in the process creates a magnificent listening environment of rose-tinted optimism and disenchantment. H Thlipsi To Brady (“Sadness In The Night”) submerges a sense of intense feeling within its 80s fantasy electronic ether and instantly takes hold of your ears.

ICELAND: Rjóminn
ToggiLet Them Bleed
This catchy little song, taken from the Iceland king of pop’s second album Wonderful Secrets, should be the anthem for any self-respecting Occupy movement. Feeling a need to protest? Then let Toggi’s tune occupy your mind and fire you up.

INDONESIA: Deathrockstar
BelkastrelkaPujian Ekspatriat
Belkastrelka are an eccentric electronic duo who sample sounds from various sources – windows, the library, television, nature and everything else. Combined with the tiny but wild vocals of Asa Rahmana, they create feral dance music.

IRELAND: Nialler9
Collie Collins & MontoHow Does?!?
A collaboration indicative of Ireland’s growing insurgency against genre borders, Keep Her Lit is an EP which was released last year from Dublin rapper Collie Collins. Teaming up with producer Monto for four tracks of electronic-infused rap, the result is something wholly Irish yet globally progressive. It’s a free download too.

ITALY: Polaroid
EsperanzaAliante Giallo
Three skilled musicians and DJs put together a project devoted to an idea of music with no barriers. The sound ranges from chillwave to house, from trip-hop to psychedelia, and becomes a wide landscape. Featuring a collaboration with Banjo Or Freakout and released on the prestigious German label Gomma, this album works magic when the bpms slow down and the electronics becomes warmer and warmer.

JAPAN: Make Believe Melodies
Praha DepartPortrait Man
Praha Depart demand attention, the Tokyo band mixing constantly morphing guitar with drum smashes to create mesmerizing tracks that reveal new sonic details with each new listen. All of those elements appear on Portrait Man, but the highlight of the song is lead singer Mai and her jittery voice. Over the course of Portrait Man, her vocals bring to mind Lydia Lunch before zigging towards a style reminiscent of Sue Tompkins of Life Without Buildings.

MALTA: Stagedive Malta
Dolls For IdolsRun
Dolls For Idols are an electronic band underpinned by indie and pop sensibilities. Their music embraces 80s-inspired synthesised sounds and the 90s rave generation, all served up with an attitude that is very much rooted in the here and now.

MEXICO: Red Bull Panamérika
Los MundosNi Un Segundo Más Sin Música
Los Mundos is a long-distance collaboration that perfectly speaks about musical memory and desertic solitude. The title of this lush pop-shoegaze song means “Not a second more without music”. Indeed, it’s the urgent need of a music lover: to spend all their time in a record store (how nostalgic), living their days wearing headphones with an obsession for everything that spins – very accurate for a band whose name in Spanish translates as “The Worlds”.

NETHERLANDS: Unfold Amsterdam
Hospital BombersTraditional Maori Fight Song #9
This self-proclaimed stadium-folk outfit have been in hiding for too long, sitting on a wealth of new material that they’ve struggled to shape into that ‘difficult second album’. Thankfully, this month they’ll finally release the sequel to 2008′s Footnotes – the grandly titled At Budokan. Their lovingly lo-fi folk-pop is always rougher and rawer in the live setting, but this new collection again shows them up to be masters of careful songcraft, albeit unashamedly quirky songcraft that’s emblazoned with handclaps and violins.

NORWAY: Birds Sometimes Dance
Billie VanOn My Knees
Billie Van’s music makes me reminisce back to the 50s and the 60s, when country music was good and Nancy Sinatra was the one; when rock ‘n’ roll meant four chords and terrific songs; when guitar solos were mandatory and slapback echo came from the amps. Her music is all of this – great pop songs, tearful country ballads and hip-shaking rock ‘n’ roll, but it’s also new and done in a refreshing way.

PERU: SoTB
Chico UnicornioTriángulo
Once again, it is the independent scene that gives us another interesting musical proposal. Chico Unicornio is a one-man project that combines acoustic folk sounds with a nice Andean instrument called a charango. The music that this young man makes is new to our local sound, giving it a freshness and novelty.

PORTUGAL: Posso Ouvir Um Disco?
We TrustTime (Better Not Stop)
We Trust is André Tentugal’s one-man band. In 2011, Time (Better Not Stop) was one of the most-played tracks by a new independent artist on Portuguese radio. We are proud to have it here, exclusively, for download for MAP readers. You can also find it on We Trust’s debut album, These New Countries, which was released in November.

RUSSIA: Big Echo
M A Y Г L E YFarfour
M A Y Г L E Y are getting ready to strike Russia’s cruel winter with an ancient God’s spell, drowned in a wall of sound. Religion, symbolism, adrenaline, isolated genres and the naked language of post-Stalin 60s influence this psychedelic shoegaze project, who have made a great record.

SCOTLAND: The Pop Cop
Make SparksYour Heart’s On Fire
Scotland’s rock scene is firmly in the spotlight thanks to the wildly successful exploits of Biffy Clyro and young pretenders Twin Atlantic. For those looking for the next band to follow in their footsteps, two contenders stand out: Make Sparks and LightGuides (featured in the July 2010 edition of MAP). Catchy choruses are fitted as standard on Make Sparks, who are making all the right noises with their relentless touring and recording ethic, slick promo videos and a vivacious pop sensibility.

SINGAPORE: I’m Waking Up To…
Riot !n MagentaCTRL
Do androids dream of electric sheep? One thinks of such things when the contrast between the organic and inorganic meld together into a primordial blur of passion. Riot !n Magenta gently slip into the stream of your thoughts with Hayashida Ken’s dark, pulsing rhythms and Eugenia Yip’s wispful and forlorn vocal delivery. There’s tension in every stem as the words haze through: “I try to take it slow, you go faster…You need control…”. Definitely hoping to hear more from this special duo.

SOUTH AFRICA: Musical Mover & Shaker!
Jeremy LoopsThe Gypsy Opera
Jeremy Loops is not a traditional band. He creates music on the spot with his gamut of loop pedals and impromptu collaborations. With The Gypsy Opera, he brings together his delicate mix of folk, hip-hop, bluegrass funk and blues all by using his guitar, ukelele, harmonica and beatboxing skills. It is something rather magical to behold.

SOUTH KOREA: Korean Indie
Galaxy ExpressAs Time Passes, Always Been Good
Galaxy Express is one of the best rock bands in Korea and have been for quite some time. During their Wild 30 project in 2010, a 30-day quest during which they recorded a piece of music for their Wild Days album every day, they showed that they put on the best of performances, even just going to karaoke. In late 2011, Galaxy Express released split EP Naughty Boy with Korean punk pioneers Crying Nut, which contained a re-recording of the somewhat atypical but gorgeous and engaging As Time Passes, Always Been Good from those wild days. Look out for more from Galaxy Express in 2012 as they’re heading for a US tour in March and playing SXSW for the second time.

SPAIN: Musikorner
DoloresVolcán
Dolores are four, they’re from Madrid and they are certainly one of the best hopes for noise-rock made in Spain. Post-punk and shoegaze are two of the genres Dolores mix for achieving their sound (which is also spiced up with a touch of good ol’ pop and loads of energy). A good bit of that power can be heard on Volcán (“Volcano”), whose stunning rhythm will invite you to dance the hell out of yourself. And you won’t be able to refuse.

SWITZERLAND: 78s
BlanketHailey Fought The Law
Want to watch a video starring the runner-up of the figure roller-skating world championships dressed as a rabbit? Here you go. Given that Blanket’s accompanying song is a fragile and psychedelic piece of awesomeness, we obviously have a win-win situation.

TURKEY: WEARTBEAT
HaossaaHolgar Godoni
Last year, Ozan Aktuna, Enis Özbek and Tolga Güldallı, three-pieced avant garde noise band Haossaa, became legends in the indie scene of Istanbul, mostly for their extraordinary live performances. And when their debut LP came out last September, their reputation finally got crowned.

UNITED STATES: I Guess I’m Floating
Fantasy IslandAvenue
One of 2012′s more promising American groups is Fantasy Island, a Los Angeles duo responsible for a pair of intriguing, soulful jams since their formation in late 2011. They’ve got a new single out on UK label Stroll On Records and a debut album on the horizon. With a song like Avenue (and the equally fantastic Breaking A Heart) it’s hard to keep wild expectations in check… guess we’ll just have to wait and see what the rest of the year cooks up.

VENEZUELA: Música y Más
OkillsNube
Okills is a band that started in mid-2010 and fuses alternative indie-rock with other genres, resulting in some fun music. In September 2011, they released their Iniciando Transmisión EP for free via the web in a pack that includes six songs, illustrations and photos of the band.


The 2011 Cherrypick awards

(2007 | 2008 | 2009 | 2010)

La cât de mult praf s-o acumulat pe aici, îmi închipui că nu vă mai așteptați să apară postul ăsta. Eh, cred că oricât aș lasa blogul să crească buruieni pe el, la topu ăsta n-aș renunța. Nu pot să vă spun exact de ce nu am scris mai des, am o grămadă de foi și foicele ce vroiau să devină posturi. Efectiv n-am avut tragere de inimă. Dar e una din rezoluțiile anului nou. Serios. Trebuie, nu de alta, da mi-i un loc tare drag. Mi-am dat seama încă odată de treaba asta când am realizat că e al cincelea an când fac topu ăsta.

În 2011 am filtrat mai mult, am ascultat ceva ma puține albume ca de-obicei (dar tot o fost în jur de 100), tot mi-o rămas albume neascultate, poate chiar câteva importante (cel mai notabil cred că e Tori Amos, nu știu însă de ce nu l-am ascultat…never in the perfect mood), dar îs de părere că niciodată nu e prea târziu, mai este vreme – mai ales când nu crezi că vine sfârșitul lumii în mai puțin de un an.

Ca de-obicei, câteva precizări: topul conține doar albume de studio lansate în 2011 (deci fără live-uri, ep-uri, remasterizări etc), fără cele românești. Despre ep-uri notabile, albume românești, experiențe live, sau descoperiri revelatoare târzii, sper să pun un alt post în max o săptămână.
Ca-n fiecare an, țin să subliniez că îs foarte subiectivă (iar în ceea ce privește filmele, cărțile și muzica mi se pare că tot timpu trebuie să fiu așa) – am ales aici albumele care mi-o plăcut MIE cel mai mult.

Fără alte bla bla-uri, să purcedem.

50. Dredg – Chuckles and Mr. Squeezy
Cred cu tărie că albumul ăsta e făcut în mare parte la mișto (până și coperta îmi dă dreptate). Chair și-așa, au vreo 2 piese excelente.

49. Kilimanajro Darkjazz Ensemble – From the Stairway
Simt că albumul ăsta o să crească mult în ochii mei cu timpul. Are o atmosferă excelentă care te prinde instant. Dar l-am ascultat de prea puține ori să-l pun mai sus.

48. Apparat – The Devil’s Walk
Low key electro, voce plăcută. Nimic mai mult.

47. Radical Face – The Family Tree: The Roots
Unul din cele 3 albume The Family Tree. Următoarele sunt programate pe anul viitor. E un album deosebit de sincer și frumos, simplu, cu versuri multe care fac o poveste. Probabil când va fi gata trilogia, îmi va plăcea foarte mult. Are toate șansele.

46. New Ruins – This Life Is Not Ours To Keep
Un album plăcut, dar cam atât. Nu are nimic special, dar nu la modul deranjant. E genul ăla de album care dacă l-ai pune unei încăperi cu oameni diferți s-ar putea asculta în background fără să dispacă cuiva.

45. Feist – Metals
Ușor dezamăgită de albumul ăsta pentru că până acum Feist o reușit să îmi provoace mici obsesii cu anumite piese, iar albumul ăsta nu mi-o dat nici una. Cel puțin nu încă.

44. Patrick Wolf – Lupercalia
Parcă lui Patrick nu îi se șede la fel de bine când nu e deprimat.

43. Lykke Li – Wounded Rhymes
Chiar dacă per total nu mă dă pe spate, are vreo 2 piese pe albumul ăsta care m-o dat. Da, începând cu I Follow Rivers, doar că m-o dat pe spate prin februarie, când am auzit-o prima dată, nu în vară când era toată lumea obsedată de piesă.

42. IAMX – Volatile Times
Ceva nu m-o prins cum trebuie la albumul ăsta. Încă mai aștept să am o revelație dubioasă care să mă facă să mi se pară excelent. Până atunci e doar un alt album IAMX. Poate dacă reușeam să ajung la concert aveam altă părere.

41. Jesu – Ascension
Jesu exact cum îi știu și îmi plac, în pas rarefiat dar apăsat, cu voci difuze și rifuri exact unde trebuie. Un soi de shoegaze metal.

40. Jeniferever – Silesia
Unora le iese post rockul cu voce. Lor chiar foarte bine. Alt concert de care îmi pare foarte rău.

39. Danger Mouse and Daniele Luppi – Rome
O ciudățenie de album inspirat de coloanele sonore ale filmelor italienești de prin anii 60-70, condimentat cu niște Jack White și Norah Jones.

38. Anna Calvi – Anna Calvi
Unul din cele mai bine primite debuturi ale anului trecut. Cu o voce deosebit de puternică, are șanse să ajungă nume mare dacă se ține bine. Îs convinsă că poate mai mult.

37. Mogwai – Hardcore Will Never Die, But You Will
Post rock în forță. Una din trupele de gen care vreau foarte mult să o văd live.

36. Kimbra – Vows
O fată deosebit de frumoasă cu o voce pe măsură. Totuși albumul ăsta, pentru mine, are cam jumate piese excelente, iar jumate de umplutură. Aștept mai mult.

35. Promise and The Monster – Red Tide
Găsit recent, albumul mi-o plăcut de la prima ascultare. Indie folk cântat cu o voce deosebit de frumoasă care îmi aduce aminte de cineva, dar nu reușesc nicicum să-mi dau seama de cine.

34. Austra – Feel It Break
Un alt debut excelent, de data asta din zona electro/synth-pop. Vocea hotărâtă a lui Katie Stelmanis, aduce mult în plus beaturilor, nici ele deloc rele.

33. Tides From Nebula – Eartshine
Deși am auzit oameni care îi numesc generici sau repetitivi în post rockul lor, mie îmi plac tare mult polonezii. Și concertul din noiembrie i-o doar ridicat în ochii mei.

32. The Decemberists – The King Is Dead
Continui să mă mir cât de prost receptează unii oameni o schimbare în stil la anumite trupe. Și The Decemberists o făcut asta cu albumul de față, trecând de la sunetele moi și folkish, la ritmuri puțin mai alerte și vesele. Dar le iese bine, așa că nu văd ce-i cu toată agravarea asta.

31. City and Colour – Little Hell
Muzică simplă, liniștită, poate puțin siropoasă pe alocuri, dar uneori mai trebuie să ne și îndulcim.

30. Grails – Deep Politics
Grails e trupa aia care o reușit tot timpu să-mi creeze o atmosferă aproape palpabilă prin muzica lor. Și nu dau greș în a face asta nici cu recentul Deep Politics.

29. Blue Sky Black Death – Noir
O combinație excelentă de hip hop instrumental, cu trip hop, down tempo, voci gospel-like, sample-uri. Un album ce emană bunăstare și luminozitate.

28. M83 – Hurry Up, We’re Dreaming
Lor le-o ieșit foarte bine chestia cu sound-ul retro, dar puteau să scurteze albumul ăsta cu vreo 3-4 piese. Totuși, Midnight City e una din cele mai mișto piese ale anului.

27. Florence + The Machine – Ceremonials
Doar mie mi se pare că e puțin cam lung albumul ăsta? Începe excelent, cu piese una și una, iar apoi mi se pare că se pierde și se prea lungește. Totuși are câteva piese excelente.

26. The Antlers – Burst Apart
The Antlers își păstrează tonul melancolic, de data asta fără să fie și depresivi. O voce care îmi merge exact unde trebuie.

25. Ane Brun – It All Starts With One
Sunt puțin dezamăgită, înafară de colaborarea cu José González nu s-o lipit nici o piesă de mine. Totuși, stilul și vocea ei, unice amândouă nu mă lasă să nu-mi placă. Probabil (sper) o să crească pe mine.

24. PJ Harvey – Let England Shake
Un album foare armonios și omogen. E de-a dreptul impresionant ce bine își păstrează Polly Jean vocea.

23. St. Vincent – Strange Mercy
Una din marile surprize ale anului. Dacă precedetul album mi s-o părut plat și deloc special, pe cel de față mi se pare că o profitat din plin de vocea deosebită pe care o are,

22. Ulver – War of the Roses
Diversitatea dubioasă care i-o făcut pe mulți să șușotească despre albumul ăsta mă face pe mine să îmi placă foarte mult.

21. Battles – Gloss Drop
Catchy și vesel, soundrackul pe biciceltă al primăverii 2011.

20. Cults – Cults
Albumul ăsta emană tinerețe și voioșie, vară lungă fără griji și baie în mare fără haine. Sau cel puțin acolo mă duce pe mine cu gându.

19. Beastie Boys – Hot Sauce Committee Part Two
Așa se face un comeback, în plină forță, exact așa cum te ținea lumea minte. The boys are still beastie.

18. Epic45 – Weathering
Un album pe care să visezi frumos și să-ți faci planuri extraordinare. E simplu și frumos și fragil.

17. Fink – Perfect Darkness
Indie folk deosebit de sincer, cu versuri frumoase cântate de o voce excelentă.

16. Gotye – Making Mirrors
M-o prins cu colaborarea cu Kimbra, m-o țint cu urechile în el prin diversitate (trecere usoară de la un stil la altul) și prin lejeritatea cu care curge muzica.

15. Explosions in the Sky – Take Care, Take Care, Take Care
Pentru mine, Explosions rămân prima trupă de post rock care am ascultat-o, ceea ce probabil tot timpu o să o pună undeva cu o treaptă mai sus decât celelalte. Bine, argumentul ăsta n-ar fi deloc valid dacă nu ar scoate albume atât de frumoase. Îmi place deosebit de mult abordarea luminoasă și optimistă de pe albumul ăsta.

14. Rauelsson with Peter Broderick – Réplica
O colaborare începută la distanță, prin schimb de fișiere. Un rezultat excelent: un album de două piese lungi și calme, perfecte pentru moțăială sau pentru mângâiat pisica atunci când afară plouă.

13. Other Lives – Tamer Animals
O îmbinare perfect armonioasă a unei mulditudini de instrumente, din care iese o nebunie silențioasă și foarte intesă.

12. Tom Waits – Bad As Me
Classic Tom Waits.

11. Elbow – Build a Rocket Boys!
Încă nu îmi dau seama cum oamenii ăștia nu au mai mult succes. Muzica lor este excelent armonizată cu versurile inteligente și cu vocea extraodrinară a lui Guy Garvey.

10. Puscifer – Conditions of my Parole
Maynard așa cum îl știam. Și muzical și lyric. Totuși, mi se pare undeva între Tool, APC și Puscifer. Oricum, nu prea cotează sub ce nume e scos albumul, ci cât de bine sună.

09. Steven Wilson – Grace for Drowning
După dezastrul Blackfield (da, prefer să mă fac că albumul nou nu există) nu credeam că mai pote scoate ceva care să-mi placă. Mi-o dovedit contrariul tot anul ăsta, cu albumul solo care sună exact cum îl știu eu pe Wilson, mai ales pe piese ca Postcard.

08. Beirut – The Rip Tide
Nu știu cum reușește Zach să-și păstreze stilul fără să devină plictisitor, dar – cel puțin eu – încă nu am reușit să mă satur de muzica lui.

07. Bon Iver – Bon Iver
Mi-o fost puțin frică să ascult albumul ăsta, pentru că nu credeam că după For Emma o să mai fie capabil să se implice emoțional intr-un alt album. M-am înșelat. Al doilea album e la fel de sincer și sensibil Îs curioasă cât o să o țină așa.

06. Eksi Ekso – Brown Shark, Red Lion
Foarte diferit de albumul precedent, mai puțin post rock și mai mult pop, combinat cu indie, cu multitudine de instrumente, foarte catchy și deosebit de frumos.

05. Radiohead – The King of Limbs
Un album excelent Radiohead, dar nu la fel de omogen cum mi-ar fi plăcut și cum sunt obișnuită din partea lor.

04. Mastodon – The Hunter
Una din trupele din zona metal care reușesc încă să-mi păstreze interesul. Un album energic fără să mă obosească; combinația de voci și schimbările de ritm mă fac să stau ca-n priză pe tot parcursul albumului.

03. Wild Beasts – Smother
Una din trupele care mi-o trecut pe lângă urechi în anii precedenți, dar care o recuperat serios anul ăsta. Smother e un album care se încolăcește în jurul meu și îmi intră în corp prin toți porii. Vocea e love it or hate it. I loved it instantly.

02. Björk – Biophilia
Nu cred că trebuie să vă mai spun că Björk e Björk pentru mine, și îmi place cu atât mai mult cu cât o scos un album extraodrinar de bine închegat și de frumos prezentat, cum o făcea pe vremuri. Categoric mai reușit decât Volta. Una din prioritățile live pe anul viitor. Sper să-mi iasă pasențele.

01. Arms and Sleepers – The Organ Hearts
Arms and Sleepers e trupa cu cea mai mare ascensiune în preferințele mele în ultimii doi ani. Faptul că am reușit să-i văd de două ori live și să iubesc ambele concerte, că încă mai reușesc să aibă diversitate în albume deși sunt foarte prolifici, și că folosesc orice pot în jurul lor pe post de instrument mă face doar să îi iubesc mai mult și mai mult. Un album deosebit de sensibil și frumos.

Albumul anului, premiul cu coroniță merge laaaaaa
Destroyer – Kaputt
Categoric. Curge atât de frumos de la un capăt la altul, prin muzică simplă, prin lejeritatea cu care cântă Bejar, încât tot timpu mă face să-l ascult de cel puțin două ori una după alta.

Cam asta o fost. Sper că, cu asta, am scuturat puțin prafu de-aici și o să vin mai des să nu-l las să se depună.


Music Alliance Pact Decembrie 2011

absurdcus

ROMANIA: Babylon Noise
AbsurdcusPuppy Slippers
Absurdcus is the solo project of  Transylvanian bass player/multi-instrumentalist Laszlo Demeter. His music has been a continuous work in progress since 2003, when he first started recording bits and pieces under this pseudonym. His music stylistically ranges from alternative rock and funk to electronica and even metal. You can download his debut album here.

ARGENTINA: Zonaindie
The Empire Of The MoonTransition
The Empire Of The Moon is the new project of Juan Sábato, a former member of Brian Storming, a band that was featured in the first edition of MAP (and, by the way, the grandson of writer Ernesto Sábato). Transition is the first single from The Empire Of The Moon’s just-released debut EP, Saturday Children, for which he wrote all the music, lyrics and beautiful pop arrangements.

AUSTRALIA: Who The Bloody Hell Are They?
Tim FitzThe Line
Tim Fitz is a 21-year-old producer/instrumentalist/singer from Sydney. He put out his first EP, Infinite Space, in March but his latest release, Beforetime, is definitely a rich picking. Some might hear genre spanning and others will hear indecisiveness, but there’s a great feel to this collection of tracks. The Line is a good example of Fitz’s kaleido-instrumentals. Just as the flouncy percussion gets into the proper swing of things, we get bombarded by drive-high fuzz around the one-minute mark. Fitz’s sound is original, but the way he has put his sounds together is still familiar enough to catch on to.

BRAZIL: Meio Desligado
Nana RizinniNice Figure, Dangerous Heart
It’s almost 2012, but listening to this song from singer/drummer Nana Rizinni can take you back to the 90s with an awesome “sounds like The Breeders feeling”. Nice Figure, Dangerous Heart is from her first album, I Said, which is available to download from her website.

CANADA: I(Heart)Music
FeversPassion Is Dead (Long Live Fashion)
Fevers’ debut full-length (which is currently free via Bandcamp) is a wonderful blend of disco-pop and ambient Stars/Young Galaxy-style space-rock. This song, the title track from the album, falls firmly into the former category. It’s five and a half minutes of a glorious, life-affirming, wave-your-arms-in-the-air anthem, and it sets the stage for one of the best albums of the year.

CHILE: Super 45
Tio LuchoIlusión Rebelde
Even though Tio Lucho had an aggressive, non-conformist punk sound when they started, it has developed into a more danceable and, clearly, more passive format. Produced by Chalo González, their new album Innombrable, released through Cazador, has a strong new wave influence. Ilusión Rebelde is its first single.

CHINA: Wooozy
Mini Train HeartJust This Feeling
Formed in 2009, Mini Train Heart is a peculiar band based in Wuhan. The band is noted for their unpredictable drumbeats and manic vocals. Also, you can’t easily tell who their influences are. We recommend you just drown in the lo-fi atmosphere and enjoy their uniquely dry humor in how they see this generation.

DENMARK: All Scandinavian
AnchorlessA Step Too Steep
Comprising members of bands such as Lack, The River Phoenix and The Fashion, indie-rock six-piece Anchorless are currently finishing their debut album, which I assume will be released early-ish next year. Until then dive in, dig and download A Step Too Steep from their six-song eponymous 2010 debut EP, which you can in fact download in full through this link.

ENGLAND: The Guardian Music Blog
Citizens!True Romance (Populette remix)
This is an exclusive remix of the debut single, True Romance, by a London-based five-piece who have just signed to French electronic/indie label Kitsuné. Their debut album, due early next year, has been produced by Alex Kapranos of Franz Ferdinand. The video to the single was directed by LA’s High5Collective, the team behind shorts for The Weeknd and Odd Future. And they believe that “pop is not a dirty word. It’s a holy one”. For Citizens!, pop is something David Bowie did in the 70s – they conflate glam-era Bowie and Bowie in Berlin with some of the tart arrogance of Suede and louche energy of Franz.

ESTONIA: Popop
Shelton SanWell-Behaved
Noise-rock band Shelton San started rocking the small Estonian indie scene in 2002 and, almost 10 years later, they are stronger than ever, creating massive, raw, hypnotic atmospheres, always polished, but never sterile. In 2006, they received the Estonian Music Award for the best punk/metal artist. Shelton San’s second LP was released on December 12.

FINLAND: Glue
Zebra And SnakeBurden
Matti and Tapio, best known as Zebra And Snake, positioned themselves as the next big thing in Finnish electro-pop in 2010 and since then, the duo has been carefully crafting their debut album while playing anywhere from Iceland to Indonesia. Burden, the first single off Healing Music (out in spring 2012), is an epic pop song with a Blood On The Dance Floor beat, analogue electronic hooks and powerful Bowie-esque vocals.

FRANCE: Yet You’re Fired
MaraudersGalley-Slave
Marauders formed in the late 80s in Strasbourg, and have been making garage rock ever since, before it was cool and re-popularized by The Black Keys. The quartet, who have released two LPs and appeared in various compilations, play short, edgy songs and are pretty awesome live. Galley-Slave is a sweet, soft-rock ballad that deserves some attention.

GERMANY: Blogpartei
Kraków Loves AdanaSilver Screen
The Black Forest, a myth. Since Kraków Loves Adana come from Freiburg, we can all speculate whether the forest has its influence or not. Hence, the sound of this duo is outstanding. The voice of Deniz Cicek is remarkably dark and complex, the use of the instruments is deliberate, creating deep and slightly ominous songs. Silver Screen is a MAP exclusive from their upcoming second album, which will be released in early 2012.

GREECE: Mouxlaloulouda
2L8Let It Go
A collective led by K the Clown and comprised of talented Greek musicians, 2L8 is a bold and electrifying project that has come to be categorized by their radical stylistic shifts between albums. New Battles, Without Honor And Humanity is packed with feverous instrumental intensity and florid arrangements based on bursting guitars, pounding drums, subtle and luminous climaxes, dramatic strings and brass, hypnotically simple melodies, inner monologues and trembling, frantically passionate vocals, desperate and bleak lyrics about resistance, equity, freedom, love and equality coupled with a sense of hope.

ICELAND: Rjóminn
Low RoarFriends Make Garbage, Good Friends Take It Out
Low Roar is the personal project of Ryan Karazija who, almost two years ago, moved from San Francisco to Reykjavík to follow the love of his life. His self-titled debut chronicles the challenges of starting anew in a foreign land and the struggles to acclimatize, find work and support his family in the Icelandic winter. Friends Make Garbage, Good Friends Take It Out, one of the highlights of the album, is a haunting, emotive and slightly melancholic song with a melody that will undoubtedly keep playing in your head long after the song is over.

INDONESIA: Deathrockstar
Stars And RabbitWorth It
Stars And Rabbit are probably one of this country’s most promising indie acts. The duo mix some soul from Joan Baez, the cuteness of Lisa Mitchell and the playful touch of Björk to produce catchy, beautiful pop songs.

IRELAND: Nialler9
Come On Live LongElephants And Time
Formed last year, Come On Live Long have picked up a steady pace in no time as evident on the release of their latest EP entitled Mender. They make far-reaching alternative songs with considerable melodies, synths and a strong singular sound. Production by Nouveaunoise electronic maestro Conor Gaffney helps too. Ones to watch.

ITALY: Polaroid
DistantiAstronomie
Distanti sing in Italian, but even if you don’t speak our old and praiseworthy language, I’m sure you’ll understand – in fact, you will totally feel the way Distanti tear up their post-punk sound. Visceral. Urgent. Clever. They just released a new EP, Mamba Nero, which you can get at To Lose La Track. And try to catch Distanti live, they’re amazing.

JAPAN: Make Believe Melodies
Love And HatesParty Trash
Love And Hates is a collaboration between Yuppa and Moe, two of the best indie artists in Japan today, from HNC and Miila And The Geeks respectively. Love And Hates finds them teaming up to make rap music with indie-pop touches, or kindergarten hip-hop as they dubbed it. Party Trash, with its cutesy chopped-and-screwed intro and solid structure, is not a lame dorm-room joke but rather a fun, appreciative stab at the genre. UGK they are not, but they still feel like a blast.

MALTA: Stagedive Malta
nosnow/noalpsFar Into The Night (Without You)
nosnow/noalps began its journey over mountainous terrain in early 2007 with their poppy indie-rock seasoned with punk, reggae and ska. Soon after, the quartet hit the live circuit with an energy and force comparable to an avalanche at a Swiss ski resort. The band’s first EP, Just Rock, came out in 2008 and they released their debut album, Romantikpolitik, this August.

MEXICO: Red Bull Panamérika
3Ball MTYRitmo Alterado
The city of Monterrey, in northern Mexico, is struggling in a war against drug-mafias: despite the violent context, a new musical genre is rising thanks to 3Ball MTY. Led by veteran electro-cumbia DJ Toy Selectah and a crew of skillful producers in their early 20s, the collective have created a new sound by merging polka, reggaeton and acid-tribal-techno. But the most peculiar thing about this trend is the style of dancing – like dodging bullets – while wearing ultra-long pointy boots. Curious? Just google ‘Pointy Mexican Boots’.

NETHERLANDS: Unfold Amsterdam
SpoelstraPallets
An alternative to the schmaltz of typical Christmas sounds, enjoy a dose of Spoelstra. He’s a collaborator with Dutch experimental label Narrominded, which specialises in all sorts of fantastic non-profitable sounds, from full-on noise rock to electronic warbles. And Spoelstra is a perfect fit, as he’s proven capable of both. His latest album Pallets was released earlier in the year. Packaged as a cassette and a book about everything you can imagine about pallets, it showcases a full rack of effects and a wonky mind. Part chip tune, part drunken country improv, part toy noise, this uneasiness is how Santa feels come Boxing Day.

NEW ZEALAND: Einstein Music Journal
The EversonsI’m A Conservative
Fronted by Mark Turner (ex-Little Pictures) and with Chris Young (Insurgents, No Aloha), Tim Shann and Blair Everson, The Eversons have a crisp, clear garage-rock vibe that strongly recalls Art Brut and American college rock with its undeniable catchiness and the immediate satisfaction this brings. With classic guitar riffs and day-in-the-life-style lyrics, their debut five-song EP is instantly likeable. This is one of those bands that doesn’t muck around, delivering a top-class release very early in their career, which makes us excited about future things to come from them.

NORWAY: Birds Sometimes Dance
SunturnsHallelujah (Christmas Is Here!)
Sunturns can perhaps be labeled an indie supergroup – or not just an indie super group, but a Christmas indie supergroup. It’s something as rare as a full-time Christmas band and is comprised of some of the best musicians from the Oslo indie scene, with members from bands such as mylittlepony, Monzano and The Little Hands of Asphalt. They sing about both the nice and the more melancholic sides of Christmas. Their debut album, cleverly titled Christmas, is out now.

PERU: SoTB
Gris VoltaYou Go Behind The Truth
Formed at the beginning of 2008, Gris Volta have too many influences to place the band into one genre – you can find anything from indie-rock to jazz themes and experimental music in their songs. Their debut record Monochrome is without doubt one of the best Peruvian albums released this year.

PORTUGAL: Posso Ouvir Um Disco?
Julie & The CarjackersMr Williams
One year ago, Julie & The Carjackers released their debut EP. Now the first album by João Correia (vocals, guitar, percussion) and Bruno Pernadas (guitar), with the help of some friends (none of them called Julie), is available. Parasol has been warmly welcomed by Portuguese press and blogs as a surprising and refreshing debut in the local indie scene.

RUSSIA: Big Echo
ArktorPier ft. Didjelirium
Just like the original story by Philip K. Dick, Arktor’s album Retreat Syndrome recreates the atmosphere of madness and insanity, combining truth and despair with the skills of his mate, jazz pianist Ilz. Pier is recorded with a special guest, Shanghai rapper Didjelirium.

SCOTLAND: The Pop Cop
Café DiscoTerra Nova
I’ll never forget the first time I heard Terra Nova by Glasgow-based newcomers Café Disco. It was on a shaky YouTube clip filmed in June 2011 during one of the band’s earliest gigs. “Contains the peachiest guitar riff I’ve heard in ages” is how I described the song on my blog back then – and that verdict hasn’t changed with this studio recording, which was funded by The Pop Cop for the sole purpose of giving it away through the Music Alliance Pact, together with this rather fun promo video.

SINGAPORE: I’m Waking Up To…
SonicbratBed Of Forty Winks
Sonicbrat is the enduring moniker of sound artist Darren Ng, whose work is characterised by an intricate tapestry of field recordings and found sounds, strung together by subtly processed acoustic instrumentation with a classical bent. Gentle, stirring and complex, Ng’s music is the sort that invites itself into and comfortably inhabits one’s imagination. His latest release, Hana, is his musing on the life of a flowering plant and is available as a free download on the Totokoko label.

SOUTH AFRICA: Musical Mover & Shaker!
The FrownThe National (Yesterday’s Pupil remix)
The Frown makes a curious mixture of folk and electronica. With their song The National, Yesterday’s Pupil’s remix adds a special touch to it, with a heady mix of soaring strings and orchestration, low tempo colliding beats, dark and menacing basslines and the fragile yet commanding vocals of Eve Rakow. Ethereal and enigmatic, it’s one of the year’s most exciting songs.

SOUTH KOREA: Indieful ROK
Kim Mok InScene
Kim Mok In started out as the guitarist of playful lo-fi folk quartet Cabinet Singalongs over a decade ago. This month he released his first solo album, Song Of Musician’s-self, with an updated sound and better production that still shouldn’t leave any old fan disappointed. Scene is a song about the Korean music scene which finds Kim Mok In’s voice and guitar accompanied by a sturdy piano.

SPAIN: Musikorner
Doble PletinaCruzo Los Dedos
Doble Pletina, a five-piece from Barcelona, were born from the ashes of Abrevadero (a one-of-a-kind cover band that would play songs of almost any genre). Thanks to their simple yet carefully crafted melodies and everyday life-inspired emotional lyrics – as in their latest single Cruzo Los Dedos – they have broken into the city’s local independent scene. They are, basically, what we would expect from a good indie-pop band.

SWEDEN: Swedesplease
Let’s Say We DidGalaxies
If your idea of Swedish music is something exotic like Lykki Li, First Aid Kit, Little Dragon and/or Jens Lekman, the music of Let’s Say We Did might surprise you. On the whole, the new record hews closer to Big Star meets Wilco dad-rock than the drum and bass electronica music coming out of Sweden of late. Sebastian Fors is one of the main men behind the band. He has been contributing to the Swedish music scene for a few years in multiple projects. Let’s Say We Did’s new self-titled album, though, is some of the best stuff I’ve heard from him.

SWITZERLAND: 78s
Alejandro JiménezDie Fragestellung In Frage Stellen
Alejandro Jiménez is actually more poetry slam than singer-songwriting. He also had the honour of playing in the most famous theater in Switzerland for cabaret artists. On his second record, Nabelschau, he recorded 11 songs which have one thing in common: they’re raw and personal.

TURKEY: WEARTBEAT
Toz Ve TozKara Mamba
Founded in November 2007, Toz Ve Toz make experimental songs that combine elements of jazz, surf, punk and Turkish classical music. The trio use guitar, synthesizer, drums, harmonica and bağlama – a Turkish instrument with three double strings. They have released two albums – the first featured music for a theatre play called Sahici İnsanlar Plastik Ölümler (“Real People Plastic Deaths”) in 2009; the second is a home recording called Ev/Home. Their third album will be released from their own record label soon.

UNITED STATES: I Guess I’m Floating
GracieSisters
Philadelphia’s Gracie is an intriguing project to say the least. There is bedroom pop and garage rock, but the vibes coming from Gracie match more of a bomb shelter banger sound. Haunting, effervescent, glitchy, mesmerizing echoes, and driving beats that propel your ears forward straight through tangles of sonic cobwebs. Can’t wait to snag this unique release via Small Plates soon.


Twin Machine #5: Great Releases This Autumn

Au fost ceva albume frumoase lansate toamna asta. Dar pentru că în rubrică regula e cu câte două, vor fi doar două – care m-au impresionat sau entuziasmat pe mine în mod special. Sugestii din aceeaşi temă aşteptăm la comentarii. :D

 

1. David Lynch – Crazy Clown Time
E greu de descris albumul ăsta, la fel de greu de descris ca orice creaţie David Lynch. E aşa cum îi sunt şi filmele: întunecat, ciudat, păcătos, puţin psycho, tensionat, şi cel mai important: pur şi simplu bestial! Fiecare melodie iţi împrumută experienţa unui personaj de film dubios. It’s a must listen.

David LynchCrazy Clown Time

2. Camille – Ilo Veyou
Cu noul album lansat în octombrie o gasim pe Camille aşa cum o ştim dintotdeauna: inventivă, originală, puţin nedigerabilă, cu o tentă de nebunie copilăroasă, mereu cu sclipiri geniale şi nu în ultimul rând cu o voce minunată.
După ce primele două albume lansate în perioada colaborării cu Nouvelle Vague au fost în franceză, al treilea în engleză, Ilo Veyou încearcă să le împace pe amândouă. Cu mai mult experiment decât precedentele, cu mai multă variaţie în stil, dar la fel de năstruşnic.

CamilleMars Is No Fun

 


Music Alliance Pact – Noiembrie 2011

In noiembrie la Music Alliance Pact ii avem pe East Roots, o trupa de reggae/dub care nu se incadreaza in tiparul bine-cunoscut promovat de acest curent. Nu pare un tribut adus unei contra-culturi, poate doar prin versuri. Veti gasi in muzica lor destule influente: drum ‘n’ bass, trip-hop sau dancehall. EP-ul lor se afla la convergenta sonora a tuturor acestor genuri; suficient de eclectic incat para nou si atat de bine centrat in jurul acestui dinamism, incat sa fie perceput ca cel mai articulat disc de gen aparut in Romania. Il puteti downloada gratis de aici.

ROMANIA: Babylon Noise
East Roots S.O.S.
East Roots is not a conventional dub/reggae band. As the cardinal points, each member comes with a new direction: drum ‘n’ bass, reggae, ska, dancehall and even trip-hop, you will find it all in their music.

ARGENTINA: Zonaindie
FútbolEl Asedio De River
El Eternauta is an amazing science fiction comic created by Argentine comic strip writer Héctor Germán Oesterheld with artwork by Francisco Solano López. It was first published from 1957 to 1959. Los Ellos is a tribute compilation to this work and its author, one of 30,000 people who disappeared during the dictatorship that ruled the country between 1976 and 1983. The album contains 18 original tracks written by independent bands from La Plata and Buenos Aires. El Asedio De River is one of them, an instrumental track from alternative rock trio Fútbol.

AUSTRALIA: Who The Bloody Hell Are They?
FeathersCat Burgler
Cat Burgler is a sweet new jam from Brisbane’s Feathers, taken from their forthcoming 12″ Hunter’s Moon, out through Bon Voyage. The song showcases this all-female four-piece’s ability to intertwine whimsy and hooks into irresistible tunes suited for both Saturday nights and Sunday mornings.

BRAZIL: Meio Desligado
KassinCalça De Ginástica
Kassin is a producer who has worked with some of the most creative artists in Brazilian contemporary music. He has also played in some bands and projects and this year he released his first solo album, from which Calça De Ginástica is taken. The electronic pop is combined with funny lyrics in which a man tells of his desires with a girl he knows (such as having sex with her in a paraplegic’s bathroom while wearing his gym clothes).

CANADA: I(Heart)Music
First Rate PeopleSomeone Else Can Make A Work Of Art
Someone Else Can Make A Work Of Art is a dance song, but only in the way that, say, All My Friends is a dance song. It’s got incredibly catchy beats and a wonderful vocal performance, but it’s held together by a genuine emotional core. It, and the album it comes from, are currently free for download from Bandcamp, so there’s really no reason not to go get it right now.

CHILE: Super 45
Fernando MilagrosCarnaval (feat. Christina Rosenvinge)
San Sebastián, the third album from singer-songwriter Fernando Milagros, is, in simple terms, a masterpiece. Although in his early days as a musician Milagros pointed towards a more contemplative kind of folk (a big reference here would be Nick Drake or the calmer moments of Devendra Banhart), in his newest album he explores South American music, creating denser pieces, darker yet more powerful. Carnaval, the first single from the album, features guest Spanish musician Christina Rosenvinge.

CHINA: Wooozy
Tong DangDon’t Let Me Cry
Tong Dang formed in 2001 in Chengdu,China. Their name is derived from the Chinese word meaning “Young Gang”. They started off as a melodic nu-metal band and gradually added elements of pop-punk and emo. Tongdang are known for their explosive performances which features catchy hooks and melodies. The song ‘Don’t Let Me Cry” is taken from their album Far Away, released in 2007.

CHINA: Wooozy
Tong DangDon’t Let Me Cry
Tong Dang formed in 2001 in Chengdu. Their name is derived from the Chinese word meaning “Young Gang”. They started off as a melodic nu-metal band and gradually added elements of pop-punk and emo. Tong Dang are known for their explosive performances which features catchy hooks and melodies. Don’t Let Me Cry is taken from their album Far Away, released in 2007.

DENMARK: All Scandinavian
Echo MeDarkest Hour
It’s alternative pop-rock with a folksy touch. It’s Echo Me aka Jesper Madsen. It’s an eponymous debut album. And it’s great.

ENGLAND: The Guardian Music Blog
WooWoosFizzy Lettuce
WooWoos are Nicky, Tasie and Jess, three London girls shaping up to be the new Sugababes – only the Sugababes when they were good, when Keisha, Mutya and Siobhan were in the group, not the three ciphers they’ve got in now. They’re funny, they’re sassy, and their debut single, Fizzy Lettuce, is 90s trip-hop revisited with a solid chorus that suggests there in a substantial musical base below the fizz and pop. We still don’t know what is a Woo Woo, or indeed what is fizzy lettuce, but at least they’re getting us thinking, these sugar-babes with subversive intent.

ESTONIA: Popop
Ewert And The Two DragonsJolene
Ewert And The Two Dragons, consisting of Evert Sundja, Erki Pärnoja, Ivo Etti and Kristjan Kallas, sky-rocketed into the Estonian music scene in autumn 2009 with their debut album The Hills Behind The Hills. 2010 was a busy year for the Dragons: they performed in Estonia, Latvia and Lithuania, including noted festivals such as Tallinn Music Week and Positivus. Their smooth sounds and melodies have been praised both at home and abroad. Their second album, Good Man Down, came out in April and has enjoyed tremendous success.

FINLAND: Glue
The SaturnettesGirl Name Sue
The Saturnettes, from Tampere, blend in a refreshing way the 70s glam rock sounds of David Bowie and T. Rex with a touch of new wave and synth-pop. Girl Named Sue is the very catchy first single off their debut album.

FRANCE: Yet You’re Fired
1995La Source
Ask someone from France if they like French rap and they will most likely answer ‘no’, but ask if they likes old-school rap and the answer is most likely to be ‘yes’. And that’s what this month’s band is all about: old-school rap, with modern lyrics. 1995 (or “un-double-neuf-cinq”/”un-neuf-neuf-cinq”) is a young rap collective (five MCs, one DJ) hailing from Paris who released an extraordinary, well-received EP, La Source, last June. The EP is a work of art for people disappointed and bored by gangsta-like music, and is almost a miracle for the purists as well, thanks to the return to basics, the flow and the instrumentals. You can buy La Source on Amazon or iTunes.

GERMANY: Blogpartei
Jolly GoodsIf I Were A Woman
When you listen to Jolly Goods’ second album Walrus, released recently on Staatsakt, you should be prepared for some serious disarray. Their songs, especially their lyrics, bear testament to a deep doubt in the world as it appears to these two sisters; they capture emotions like anger, trepidation and a little bit of hope in an extraordinary way.

GREECE: Mouxlaloulouda
Sugar Factory440
Sugar Factory have unleashed their luminous, lilting, lovely debut single, the double A-side 440 / Explosions. It’s an insular instrumental experience, casting intrigue in the minute details, an immersive and inevitably cinematic gem rich in fuzzy memories, nostalgia, melody and atmosphere, with woozy accordion that accentuates the underlying emotions, guitars and samples with an otherworldly quality that lingers with you. Listen to 440, a perfect mood piece as the night begins to draw in.

INDONESIA: Deathrockstar
Polka WarsHorse Hooves
Horse Hooves is an echoey, spacey song made by a collective of young boys influenced by the current fuzzed and mopey music scene. You’ll love their simple interpretation of what we call humble music.

IRELAND: Nialler9
We Cut CornersGo Easy
Go Easy is a fine example of what to expect from Today I Realised I Could Go Backwards, the debut album from Dublin duo We Cut Corners. Restricting themselves to drums, guitar and voice doesn’t hamper John Duignan and Conall O’Breachain in the construction of their direct songs. Rather, they find new ways to create unique songs from a limited palette. They might Go Easy but they will go far.

ITALY: Polaroid
Horrible PresentCloudy Talks
Nicola Donà used to sing in the band Calorifero, now he lives in London and writes music under the moniker Horrible Present. His new songs are more lo-fi, bedroom pop-oriented, ranging from synth-driven experimental tunes to romantic acoustic guitar ballads, but always with a big shining love for melodies. And the love is returned. Expect a debut album in early 2012.

JAPAN: Make Believe Melodies
Avec AvecKuzuha No Sunday
Avec Avec is one of the most promising young artists to emerge in a burgeoning electronic scene based in the Kansai region. Kuzuha No Sunday stands as one of the best tracks from this fledgling movement, a stuttering beat-driven song reminiscent of Bibio or Cornelius that sounds like a perfect sunny Sunday. The sweetest part comes via that glitchy vocal sample, one of the most joyous sounds to come out of Japan this year.

MALTA: Stagedive Malta
Cable 35Cow Head
Formed in 2006, Cable 35 have become known for their highly energetic performances and are arguably Malta’s tightest band. The three-piece is made up of singer and guitarist Jeffrey Zerafa, bassist Kriz Zahra and drummer Chris Mallia. Following a couple of EPs, the band released their aptly-titled debut album Louder three months ago and are currently touring Europe to promote it. Louder brings back Bleach-era Nirvana to your ears.

MEXICO: Red Bull Panamérika
Antoine ReverbYou As A Fish
The tradition states that Guadalajara is the quintessential land for Machos and Mariachi in Mexico. But Antoine Reverb (actually a quintet, not a person) doesn’t belong to their time and place. On their splendid second album Everything Is A Foreign Language To Me, the band sets their inner clocks backwards on a swirly Victorian time-travel in a quest to reach the land of the Pet Sounds, rabbit-holing on a twee-gaze mood (reminiscent of Broadcast in the 90s), finally sliding on a spiral that leads to confusing atmospheres that resemble the soundtrack for the Czech vampire film Valerie And Her Week Of Wonders. Antoine Reverb are not only strangers in their own land, but in their own dreams.

NETHERLANDS: Unfold Amsterdam
Moon & SunHunt (Gavin Russom remix)
Although based in Amsterdam, Moon & Sun is very much an international concept. At its core is artist/musician Monica Tormell, who’s originally from Sweden but who wrote and recorded her debut album, The Wild Things, in Curaçao, the Swedish woods and also back in Amsterdam. That original collection emerged last November, offering bouts of atmospheric and tribal folk. One year on, a number of its tracks have been reworked by a host of international collaborators. This remix by DFA artist and LCD Soundsystem collaborator Gavin Russom draws on the heavily percussive elements to create electronic patterns reminiscent of Swedish peers The Knife and jj.

NEW ZEALAND: Einstein Music Journal
Fabulous/ArabiaThe Ballad Of State Highway 1
James Milne (Lawrence Arabia) and Mike Fabulous (The Black Seeds) unveiled their collaboration last month and surprised many fans by presenting an album of nu jazz songs – combining elements of funk, soul and jazz, while quite obviously retaining Lawrence Arabia’s indie-pop influence. Their debut album is a mixed bag, each song exploring a different path. The most obvious reference is British downtempo DJ Mr Scruff, courtesy of Fabulous’ wonderfully unusual instrumental experimentation. Their debut album Unlimited Buffet can be downloaded from Bandcamp.

NORWAY: Birds Sometimes Dance
BendikIgjen
Bendik is a lush, ambient electro-pop band signed to the great Trondheim-based label Riot Factory alongside the likes of Scarlet Chives, Dråpe, Angelica’s Elegy and Pelbo. It started as Silje Halstensen’s solo project but has now grown into a trio. They have played at some of the biggest festivals throughout Norway, such as Øyafestivalen, Pstereo and Slottsfjell, and their debut album will be released next year.

PERU: SoTB
Division MaydayLugar Seguro
Division Mayday formed in 2008 and their sound ranges from post-punk to electro-pop. A mix of electronic guitars, intimate lyrics, an intense rhythmic base and electronic sequences are the raw materials of their musical proposal.

PORTUGAL: Posso Ouvir Um Disco?
Rose BlanketFeel My Way Around
Nothing Ahead Nothing Behind is the third album from Miguel Dias’ project Rose Blanket, recorded between 2008 and 2011. For this double album, he collaborated with several Portuguese musicians and two American vocalists, Jennifer Charles (Elysian Fields) and Dana Schechter (Bee And Flower). Feel My Way Around features Jennifer Charles.

RUSSIA: Big Echo
ValotihkuuTwo Shadows
Valotihkuu’s Flutter EP is made up of 15 tracks which collect memories and emotions of a full year, filled up with nostalgia, old vibes, cassette tapes, weird samples and a unique feel that might remind you of Madlib and Monster Rally.

SCOTLAND: The Pop Cop
King Creosote & Jon HopkinsBats In The Attic (Unravelled)
Rarely has the word “timeless” been more appropriate for a record. It took seven years for King Creosote and Jon Hopkins to make their first collaborative album, the Mercury Prize-nominated Diamond Mine, and it handsomely captures delicate snapshots of unhurried, everyday life in rural Fife – literally, with the sound of coffee shop chatter, running streams and chirping seagulls. Here’s an exclusive free MAP download of their reworking of album track Bats In The Attic, taken from their Honest Words EP.

SINGAPORE: I’m Waking Up To…
MagusRiders On Psychedelics
Magus is a new collaboration between Mark Dolmont and Leslie Low, the latter best known for his work with Humpback Oak and The Observatory. Their debut effort is fittingly the first release by Ujikaji Records, a new independent label and distro focusing on experimental music in the region. The album, titled Sun Worshipper, presents a dark and spiritual brew of kraut-inspired psychedelia which makes for an addictively harrowing pilgrimage through the deepest of valleys.

SOUTH AFRICA: Musical Mover & Shaker!
Laurie LevineSix Winters
Six Winters is the lovely first single and title track of the third album by acclaimed Johannesburg singer-songwriter Laurie Levine. Piano and acoustic-driven, twinkling and atmospheric with an electric tinge, it all makes Laurie’s heady blend of folk coupled with her captivating vocals one that has earned her critical acclaim and a growing audience.

SOUTH KOREA: Indieful ROK
CoedwigLet Her Go
Street folk artist Neofolk has gotten himself a band member and formed the unit Coedwig. Let Her Go is one of the indie rock numbers on the recently self-released first EP, which also contains a couple of acoustic tracks – a sound that is very popular in Korea at the moment.

SPAIN: Musikorner
LasersSolar System
Lasers are a cosmic pop three-piece from Barcelona. Influenced by acts such as Animal Collective, Fuck Buttons, locals Delorean and label mates The Suicide Of Western Culture (featured in September’s MAP), Lasers have learnt to create extraterrestrial atmospheres using “samples, tireless cyclic sounds, breeze melodies” in their music, which can be both obscure and optimistic at a time or, as they call it, “noise and poetry”. Lasers will release their first album Juno through Irregular in December, from which Solar System is taken.

SWEDEN: Swedesplease
Halina LarssonPuget Sounds
Halina Larsson is an expat from Sweden who has lived in LA and now resides in Brooklyn. She has a diverse sound and a variety of influences including Janis Joplin, Nina Simone, Erykah Badu, Feist and Elliott Smith. Halina is a trained jazz vocalist who, on her latest Fires & French Horns EP, falls somewhere between indie folk songstress and new soul chanteuse. It’s an odd combination but on certain songs and in certain styles she can pull it off.

SWITZERLAND: 78s
laFayetteHeavy Rain (feat. Lena Fennel)
Since their launch in 2009, Basel boys Jascha Dormann and Simon Hauswirth have found their place in the Swiss electronica scene. Musically, laFayette boldly go into the deep end of a pool filled with electronica, hip hop and techno music. Their debut EP Sputnik was released in September.

UNITED STATES: I Guess I’m Floating
SaskatchewanSkinny Dipping
Orlando, Florida’s Saskatchewan are masters of slow-built dream pop, lush vocal harmonies and melodies that are damn near impossible to ignore. Skinny Dipping is their latest single, available for free on Bandcamp. Look out for an album sometime in early 2012.

VENEZUELA: Música y Más
Carlos AngolaHasta Mañana
I first saw Carlos Angola at a festival called VirgenFest which was being held in a public square. The atmosphere was magical, it felt like Woodstock. On stage there was this boy with glasses, an acoustic guitar and a great voice. Carlos Angola used to be part of a ska band called Skabiosis, but now he is displaying his talents as a solo artist with his album Rompecabezas which guarantees total relaxation no matter when you listen to it.

PS: O recomandare din compilatie e Fernando Milagros (Chile), care a lansat un album foarte frumos luna trecuta.


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